Archive for April, 2006

Dumpster-diving

Monday, April 24th, 2006

Reed and I are feeling very uninspired at the moment. Macbeth on the battlements, ‘To-morrow, and to-morrow, and to-morrow, creeps in this petty pace from day to day,’ uninspired, though I admit that at least we aren’t afflicted with the upheaval of nations and an entire wood-ful of critics. Merely minor illness, lack of sleep and entirely too much snooker. The blog needs feeding regardless of any not-particularly-extenuating circumstances, so we went for a dig in The Card-Board Box in the study. As I think I mentioned in a previous entry, Reed used to write poetry. And, possibly with a teenager’s wilful desire to humiliate her elder self, she kept them all. And today we found them.

I will not dwell on the Bob Dylan phase. Reed shares her birthday with the man and has never been entirely rational on the subject (she shares a birthday with Queen Victoria too and I don’t see her donning a lace cap to introduce the Christmas Tree to her puzzled subjects). There were however a great many ‘technical exercises’, sonnets, villanelles, sestinas, terza rima, some truly filthy limericks (I’m saving those for the future obligatory ‘drunk post’). A lot of these are rather fey unrequited-love-poems to the various young persons who pinged in and out of her fancy. We felt very wistful indeed after reading them. Where are all those pretty creatures now? Are they too tubbier, more creased, more inclined to regard a glass of wine and a hot bath as the epitome of a good evening?

Anyhow, you-all didn’t drop by to watch me staring off into the the distance and sighing like furnace. I have decided to post one ‘unrequited love’ villanelle Reed wrote at seventeen that I do know the sequelae of. And Reed? She has gone off to fiddle with the espresso machine. She seems a little self-conscious today.

Blind Paper

Blind paper holds these words of fire,
Crushed and set aside for burning,
And no-one need know my great desire.

With each mild letter I make myself a liar;
To end ‘with love’ is meant as warning:
Blind paper holds these words of fire

And I mean them as much as any heart-sick sigher
But I have no faith you share my yearning,
And no-one need know my great desire.

I would hand my poems to the Town Crier
If I could ascertain your heart’s turning.
Blind paper holds these words of fire;

‘Tis better so. I’ll find a buyer
Of silly love-songs for the undiscerning
And no-one need know my great desire.

But if you should ever of silence tire
And tell me… Well I cannot keep longing;
Blind paper holds these words of fire
And no-one need know my great desire.

14 March 1993

Reader, she married him.

Ten and a half annoying remarks

Wednesday, April 19th, 2006

Given a sympathetic ear – given any ear, in fact – I could talk about my writing projects for hours. This is a bad idea for two reasons. There is the danger that I will talk about the idea so beautifully and at such length that writing it will feel redundant. And there is the danger that the owner of the ear might say something. I only require my ear-owners to nod, refill my wine-glass, and on very special occasions tell me I’m the most marvellous person in the entirety of creation. It’s an easy job, really. And by-and-large, people are sweetly compliant, especially about the wine-glass part.

But some people are on a mission to annoy, upset, and when in good form, crush the soul of, a budding writer. After, alas, exhaustive [Exhausting - Ed] research, I have come up with a Top Ten of Really Actually Quite Bloody Annoying Remarks that tend to crop up within the first three exchanges of a conversation about writing (and often not even a conversation about my writing. Any old writing will do, as long as the person happens to know that I write myself).

1) So, when is it going to be published? I wish I knew what to say to this one. For a few seconds, it seems to be such a nice, supportive sort of remark. But, thinking about it, ummm, never? I haven’t finished writing it, I don’t have an agent, and no, actually, I can’t get an agent before it is finished, fiction doesn’t work like that unless you are a bitch-slapping supermodel or similar, and it could well be crap, and of course, if, as is exceedingly likely, I never get anything published at all, I will have to live with the thought that you now see me as a raving fraud, all that burbling about writing and nary a word in print, and I’ll never be able to face you at dinner-parties ever agin, which is a shame as we’re related and I am now going to have to take to playing dead to get out of seeing you and the social embarrassment is now endless and oh, dear, I need an aspirin…

2) Oh, I don’t like SF/ detective stories/ romance/ poetry/ whatever your chosen genre is… Thanks a sodding bunch. I mean, really, a bunch. Sodding. Absolutely. I bare my soul here and you gob on it. You have never read my stuff, and now of course never will, even if I have to drag you shrieking out of bookstores on the frabjous day that I am actually published to prevent you seeing my name in print on that hateful genre you so despise. And you look shit in lilac too, and your signature dish of cajun pork tastes like the off-cuts from a hand-bag factory. [ Not that we're referring to any particular person here, obviously. - Ed] If you do not care for a genre, and a writer of your acquaintance does said genre, shut up. Yes, I know, and you know, that you are not implying that therefore their particular writing is ipso facto a heap of crap. Nevertheless, you just don’t tell people that their baby is ugly, and you just don’t tell people that their life’s work interests you about as much as their tax return.

3) I have this great idea for a story! Write it then. No, I don’t want to hear it. No, I don’t want to write it for you. You think it’s great, you write it. I’m serious. I’m working on my own ideas. You write it. Come back in three months’ time and we’ll talk about the writing process, and buy each other beer and stuff. La la la I have my fingers in my ears I’m not listening la la la.

And 3) ii, its close companion, Could you just read this novel I wrote… No. Not unless you are A, my very dear friend indeed and we are both feeling exceedingly sturdy about the friendship muscles; or B, in the same writing group as me and we are ALL reading it; or C, my worst enemy. If you are a relation, an acquaintance, a ‘mere’ friend, or God forbid a colleague, no. I value our relationship far far too much to do such a frighteningly awful thing to it. I will never love the novel enough to please you, and anything I say that is not 100% rapturous will wound you, and I am not a professional agent (though I am a damn’ fine proof-reader) and there is no useful advice I can give you. See also point 8.

4) It’s always good to have a hobby. And if I called your glamorous and strenuous and dedicated career in medicine a hobby, would you be pleased? Exactly. Ow.

5) Doesn’t your husband mind? WHAT? I mean WHAT? Is this not the year 2006? Do I not live in Britain? Is this not a polling card with my very own name on it I see on the kitchen table? If he did mind, I would have not exactly married him. I wouldn’t have exactly dated him either. I would have exactly run screaming from him and never looked back. Do I look like a raving masochist? For the record, he’s quite proud of me, in a bewildered sort of way.

6) So, did you watch that documentary about celebrity dieting last night? Ooh, neat subject change. Yes, writing is much the same as dunnykindiving or uro-genital surgery to some people. Only wads of cash can make it respectable, and even then, no one really wants you to bring it up at the dinner table. I promise it’s not catching.

7) Oh, come on, you’re hardly A.S. Byatt/ J.K. Rowling/ Philip Larkin Having taken fifteen very deep breaths, counted to four twice, and bitten clean through my tongue to keep the swearathon outburst in, I shall merely restrict myself to mentioning neither were they when they first started. And no, you most certainly did not mean that kindly, did you, you mastitic cow’s-udder of curdled spite.

8) Can I read it? This would be lovely if you were an agent or an editor or a creative writing teacher or my husband. As it is, read point 3 ii again. [It would also be lovely if they really meant it - Ed]

9) Does that mean that you are depressed/ promiscuous/ psychotic/ lame/ bonking your own sister? The last time I was asked this sort of thing, I think I simpered and made some nauseating mention of my happily married existance. I am very sorry. I should have said: ‘Of course I am.’

10) Are you going to put me in a novel? You wish, you boring little tit.

The Commentator’s Official Lunch

Tuesday, April 18th, 2006

Well, ladies and gentlemen, this little venture has been trundling on for over a month now and we even have friends. Time for some back-slapping and general gratulation.

The Good Samaritan Award for First Commentator Ever goes to David B, who proves that if you want a kind act done promptly, you should ask a busy librarian.

The Prolix Shield for Most Prolific Commentator is shared by David B (again) and Ole, who also share the Good Citizen Award for coming back here over several weeks.

Ben and Hyp get a pair of neatly darned socks each, with love and argyll motifs, and will have to put up with Reed hugging them at random intervals for saying such nice encouraging things.

The Fluffy Award for General Cuteness goes to Mv, for giggling.

The Sensibility Cup for Pleasing Similes goes to sunny, because Reed is unnaturally keen on choral music.

And the Editor’s Special Award for Like-Minded Thinkers goes to Kelli. You and me, dearheart. We’ll get her licked into shape yet.

I know we have lurkers. I checked my stats. You have been counted, all 813 of you. I’m sure most of you are merely looking for email to spam (if I need to be any hotter in the bedroom, I will fill a hot-water-bottle, thank you) but I have other evidence to prove that some very genuine people indeed have dropped by. Hello, lurkers! I drink a toast to you, especially those of you that then told me you’d been here. Thank you very much for all supportive remarks, and don’t worry, I wouldn’t dream of pressurizing anyone into commentating publicly on the blog. Oh no. I’m only allowed to bully my own personal writer. You may lurk in peace.

How to… procrastinate

Tuesday, April 11th, 2006

Actually, if you don’t mind, I’ll finish this one next week.

How to… write at work

Tuesday, April 4th, 2006

I have been less sprightly and in-the-pink of late than I would have wished. So I am now Officially Eating Healthily and, terrifyingly, Cutting Down on Coffee. Today’s caffeine intake amounts to one (1) cup of tea. Oh, and decaff filter stuff. But decaff not only does not count as coffee, it anti-counts, I swear. Each cup is draining a little more life-blood from me. Therefore, my notes for this entry so far resemble a ‘this is your brain on drugs’ poster. Shall I just wing it, and see where we end up? [and how would this differ from your usual method of working? - Ed]

Not all of us can sit at a desk in the spare room crafting prose all day. Or even some days. Or even one day a week. Pets, offspring, spouses, all demand unreasonable great chunks of our time. And the spare room probably has kids/ guests/ boxes/ no coffee facilities in it. And then the weekend is over. Now, I can’t help you if you’re a neurosurgeon or a delivery-van driver, but if you work in an office, you really do have the time to write a novel. Yes you do. OK, so you can’t join NaNoWriMo and do it in a month, but really, neither did Charles Dickens and he damn well tried. And he was allowed to throw people out of the spare room all day long. So let us turn to the resources your average office is laden with:

1) The desk bunny’s kingdom. Look at all the lovely writery things you have at your desk. Isn’t it great? I myself have five biros, two pencils, a propelling pencil, a magic marker, three sorts of post-it note, a spiral-bound jotter and a big A4 pad of lined paper. I have seen people cosying down with fountain pens, fancy rubbers [Ahem - erasers to our Transatlantic friends. Or this could be seriously mis-read. - Ed] hard-back notebooks, ledgers and even sketch-pads. And, get this, you are supposed to write with these. And doodle. And draw pie-charts. If your school was in the least modern and up-to-date you will have mastered the art of having truly horrible hand-writing, so who is going to know you are actually planning how to murder a senator with a quoit at an orphanage fund-raiser? Who will decipher the scribbled account of sweaty adultery in a church pew while the vicar is dusting in the vestry? Well, hopefully you will, because turning absent-mindedly to a colleague and saying, ‘I can’t read this, is it anything to do with the meeting we had last week?’ will at the very least make next week’s meeting ever so hilarious for everyone else. So do it. Write. All those hours you wasted doodling or attempting work-e-mail composition in advance will be your alibi. If your hand-writing has degenerated beyond any sort of comprehensibility, or if you simply happen to be the typing kind, you can write yourself documents on your oh-so-kindly-provided-by-the-Management computer. This has the drawback of also being more legible to nosy colleagues who were never taught that standing silently behind a chap’s chair while he types is not. Good. Manners. But it does look even more like work than using a pen (why?) and anyway if you litter the screen with windows and clatter about between them a lot you stand a higher chance of a) looking busy and b) foiling the Nosy One. Or e-mail. E-mail is good. You can e-mail yourself with ’stuff to work on this weekend’. This has the added bonus of being perfectly true, and the added added bonus of seriously impressing your boss.

2) Enforced doughnut consumption. Everything I said about notebooks, post-its and jotters holds true for meetings. In fact, if you are actually writing things down in a meeting, you will unnerve everyone else and suddenly the whole thing will be rushed through in jig-time, allowing you to get back to your desk and transcribe your fabulous new haikus before home-time. Nota bene, if you are supposed to be writing in the meeting, because you are minute-taking, do NOT try and do it in haiku form, no matter how aesthetically pleasing the result. Your boss has less of a sense of humour than you might like to think.

3) Cowering the professional way. There will be times, however, when privacy is harder to come by, and your desk will not be the safe haven it ought to be. Perhaps your incarnation of the nosy colleague is actually your line-manager. Perhaps the office is a little too open-plan. You need to hide. The lavatory is traditional, and therefore to be shunned at all costs. Apart from the issues of hygiene, odours, lack of anything to lean on while you write, other people actually needing to use the lavatory and the embarrassment of having concerned colleagues asking if you’re alright, it smacks far too much of endless dreary school lunch-breaks and subterfuges to get out of Games. Be brave. Yes, the lavatory is lockable, but shun it anyway. Even the tea-room is better, though spending more than fifteen minutes at a time in there is awkward to explain away. The best, the very best trick, for hiding from one’s boss is to stride briskly about the building with a stack of paper-work. Make sure it contains a good mix of spreadsheets, hand-written jottings and things with letterheads. Try to catch the eye of any passer-by. Take your pile to colleague’s desks and ask to borrow a calculator. Look panicky. Mention your poor head for figures. They will flee from you. Even those that sometime did seek you.

Next week we will be covering the even more important topic of how to day-dream at work. Now, if you will excuse me, I am going to humiliate myself by being caught licking the packet the last lot of proper coffee came in. Kids! Drugs! Just say no!